Arizona Quilt Show

We attended the 'Sol y Sombra' (Sun and Shade) quilt show last weekend, and had a fantastic time. The show is an annual production of the Arizona Quilters Guild, and this one was a whopper. A total of 333 quilts were on display for two and a half days, and thousands of quilt lovers were in attendance. Awards were given in an array of categories, for large/medium/small quilts that were pieced, appliqued, or mixed techniques; as well as art quilts, pictorial, miniature quilts, and other categories.

Today, we're showing a sampling of the quilts we liked (there were so many wonderful ones, it was a bit hard to choose). Which of these are your favorites?

Canyon Walls, 46(w) x 40(h), by Sheila Groman


The inspiration for this beautiful landscape wall hanging was the quilter's six-day raft trip through the Grand Canyon. In designing the quilt, Sheila made use of photos from the trip, capturing the red rock of the canyon walls and the brilliant blue of the river.

Desert Geckos, 29(w) x 26(h), by Elisa Lawrance


The panel, completed by stitched and appliqué techniques, is a day/night desert scene of scampering geckos escaping the scorching "sol" and into the cool night "sombra." The piping and crystals, along with the leafy batiks, add energy to the piece. The quilter was inspired by classes taught by Susan Vassallo and Sarah Vedeler.


Tropical Blend, 44 x 44, by Sharon Brooks



This stunning quilt won a blue ribbon. It is a pieced wall quilt that was professionally machine quilted. Sharon says that this quilt was started in a Carol Doak class several years ago. "It was completed within a few months then got tucked away in a drawer. Upon finding it recently, I decided it was time to quilt it…finally!" The quilt was embellished with crystals which enhanced the intricate quilting design (see detail above).

Joy Too, 58 x 58, by Dorothy Alliss


Dorothy Alliss says: "A few years ago I saw this ("Joy") quilt in a magazine and fell in love with it." The quilt design was by Jacqueline deJonge (see link at the end of the post).


The Path Not Taken, 42(w) x 45(h), by Sherryl Buchler


Sherryl Buchler is a fan of Shibori and hand-dyed fabrics, and she created the original design of "The Path Not Taken". Sherryl says that she stared at the fabrics for 8 months before the pattern "spoke" to her. The graceful, elongated figures are perfectly composed as they stroll along the path.

What's In Your Box? 62(w) x 51(h), by Elisa Lawrance





Elisa Lawrance chose brilliant Southwest batiks for this open tumbling block pattern. Thanks to the selection of bright batiks, along with a dramatic black background, the boxes appear to be lit from within. Minimal quilting in the boxes helped to define and accentuate the cubes (see detail view). The "Think Inside the Box" pattern inspired this quilt; see the links at the end of this post.

The Wright Stuff, 58" x 34", by Wanda Seale



"The Wright Stuff" was made for the AQG's 2009 President's Challenge. The pattern is from Jackie Robinson's book of Frank Lloyd Wright window designs (for the link, see below). The quilting was done by Jessica Brunnemer.

Audacious Hearts, 56" x 56", by Jeanne Copeland



This beautiful quilt was based on a 1995 pattern by Monica Calvert. The clamshell shapes form layers of hearts in red and black, giving the appearance of loops of ribbons. Jeanne Copeland says that she purchased the pattern in 1995, and finally decided to take the plunge in 2009. The quilting was done by Sherry Jack.

Spring in my Step, 70 x 70, by Ann Petersen



"Spring in my Step", above, won third prize in the Master's division (for quilters who have previously won a major award.) Ann Peterson started with a traditional sunflower block, then designed three very different approaches to making it. Spring" refers to the spring-like colors, and "step" refers to the sashing, which reminded Ann of stepping stones. The quilt was machine-pieced, machine-appliqued, and quilted by Ann on a regular sewing machine.

Am I Blue, 90" x 90", by Patricia "Pat" Ballantine


This fabulous quilt was based on an Irene Berry pattern in the May 2007 Quilter's Newsletter. The quilt was paper-pieced, and each 6 inch block (196 in the quilt) has 24 seams! The photo shows a detail view of the blocks. The quilting was done by Donna Reed.

Pickled, 83"(w) x 59"(h) by Ann Slater



The quilt was based on a class taught by Mary Lewkowitz of the Bernina Connection, using the "Christmas Pickle" design by Nancy Smith and Lynda Milligan. Ann Slater says: "I thought this would be a good way to learn paper piecing, not exactly a small project. Many times I felt like I was "in a pickle" or that I needed to "get pickled" to finish this." The photo shows a portion of this bed-sized quilt.

Variations on a Theme by Klimt, 66"(w) x 34"(h), by Linda Schoenfeld


This stunning art quilt won a blue ribbon in the wall quilts category. A detail view is shown above. The piece is a tapestry, incorporating a variety of fabrics - including taffeta and chiffon - along together with the gold tapestry borders, which are embellished with jeweled buttons. Linda Schoenfeld says that the geometric motifs, scrolls and curlicues of Gustave Klimt (1862-1918) have always inspired her.

Quilt show photos are by Quilt Inspiration.

The 'Sol y Sombra' quilt show is an annual production of the Arizona Quilters Guild, Phoenix, AZ. See their site to view more quilts, and to purchase a CD collection of all the quilts in the show.

For quilt patterns that are referenced above, see your local quilt store and the following online resources:

For the Christmas Pickle pattern by Nancy Smith and Lynda Milligan, see the Great American Quilt Factory

For Quilts in the Tradition of Frank Lloyd Wright, see Jackie Robinson's book

For the Color Me Blue pattern by Irene Barry, see the foundation piecing diagram here

For the Joy pattern and other designs by Jacqueline deJonge, see Be Colourful. For an online distributor, see Everything Quilts

For the "Think Inside the Box" pattern by Cathy Wierzbicki, see Time to Quilt

Greetings From Taliesin

Twenty Eight years ago my mother took my sister and I to visit Frank Lloyd Wright's studio in Spring Green Wisconsin. This is when I fell in love with the area that I now call home. At the time of our visit the 37,000 sf (yes 37,000 sf) home was not open to the public. Last Sunday we finally had an opportunity to tour his home together.
Taliesin was built on the sight of Wright's grandparents family farm along the Wisconsin River. He spent many summers working on the farm in his youth. In the early part of the 20th century two of Wright's Aunts ran a boarding school on the property which supported progressive teaching methods designed to enable the creative mind. The first buildings that Frank Lloyd Wright built on the property were classrooms and dormitories for this school. They were later used by the "fellowship", Wright's students in his school of architecture.

Taliesin was Wright's testing ground for many of his innovative ideas. Much of the building done in the wing pictured above was done quickly by his students. The right hand side of the building was constructed over the ashes of a fire that burned at the site. Important clients we due to arrive and Wright wanted an impressive structure ready to house his guests. Because this wing was not built on a proper foundation it has been sinking over the years. Wright's theory was he could always rebuild at a later time. This part of the building was only expected to be temporary. The shot above is of the dormitory which surrounds the architecture studio. You can see the windows of the studio in the center of the roof.

The views from the home are awesome! Wright's respect for nature, learned at an early age, extends throughout the property. Many of the trees on this property are massive. Oaks, maples and pines are 100-200 years old. This trip was well worth the wait!