Showing posts with label Marlis Egger. Show all posts
Showing posts with label Marlis Egger. Show all posts

Tuesday, May 31, 2011

may theme: I Can't Resist!

I finished both my Sketchbook page and my journal quilt just in time.

You Can't Resist was a great theme for me: I am organizing a Soy Wax class with Melanie Testa and guess what? The title Melanie had chosen for the class is ... YES: You Can't Resist!

I had a package of the appropriate quality of soy wax at home in order to test it. Last week I spent two afternoons in my studio, happily creating with soy wax and thickened dyes. The blog post is not ready yet, but in the next couple of days I am going to upload photos on my personal blog.

Marlis Egger | Journal Quilt - 8" x 8" | soy wax resist | fiber reactive dyes
(I'm still exploring the potential of my favorite letter, the B...)


You Can't Resist! (whole spread opened up) - candle resist


Thursday, April 28, 2011

april theme: branching out - out on a limb

Marlis Egger | Journal Quilt | 8" x 8"
hand dyed fabric
textile paint
hand quilted


Hi everyone, Marlis here.

Can you believe another month is nearly over???

When the new theme was announced I thought oops … what shall I do with THIS?? Branching Out – Out on a Limb. I was glad that Jane Davis told us something about her theme:

Branching Out: expanding skills, sprouting new ideas, discovering unknown territory
Out on a Limb: (flip side of branching out) taking risks, facing fear of failure, getting into discomfort zone, facing Inner Critic, taking the plunge with courage.

If this wasn’t a perfect theme for me right now …??? (I’m in a transition period of my life)

When I am painting (printing, stenciling etc.), I often avoid getting into discomfort zone because once I love what I did, I don’t want to ruin or spoil my cloth (or even my paper…). So I stop – instead of building up layers.

In my sketchbook I decided to start with the very next page - turquoise with some white circles (resists). The first layer was stamping with a cork, the second stamping with an empty spool of thread, the third stamping with a self made eraser stamp, the fourth some bold brush strokes and last but not least three of my beloved ;-) curved, black crosses.

I took exactly the same steps to creat the journal quilt, starting with a piece of hand dyed turquoise fabric.

Sketchbook page, front

Sketchbook page, opened up

Friday, March 18, 2011

spilling over

Hi everyone, Marlis here.

Creating the Sketchbook page was not difficult this month: for the last couple of years, I have been working a lot with subdued colors (beige, grey, but also black and white plus an accent color), so my Spilling Over was colorful indulgence. After I added stitch and turned the page, I noticed all those beautiful holes and stitches - and had to create a second page using these stitched lines as a guide ... and dive into more color. And fun I had!

The tricky part however was translating the page into fabric. I challenged myself to work differently from how I usually work. To go out of my comfort zone. To be messy. To be imprecise. To spill over ;-).

Journal Quilt

Sketchbook | first page
Sketchbook | second page

Monday, February 21, 2011

opposites | my journal quilt

Hi, Marlis here. It’s hard to believe that another month is almost over. I had a lot of fun working with this month’s theme OPPOSITES – in the sketchbook as well as with fabric.



Opposites. So many possibilities: black/white, shiny/dull, patterned/plain, organic/geometric, vertical/horizontal, circular/angular – to name just a few. The next blank page in my sketchbook was aqua green, so I decided to opt for the color first. Aqua green’s complementary color is red – not my favorite color combo. But sometimes we should get out of our comfort zone, shouldn’t we?

When I prepared my sketchbook, I applied a candle resist to some of the pages before painting them. More often than not, I used one of my favorite marks: the “curved” cross. A couple of months ago I started to use this mark extensively and in various ways: stitching, drawing, stamping. I even carved some stamps out of erasers. I guess, I have to think about why I just love these marks…

To finish the pages, I added some drawings and the flip-out part is created in the opposite color scheme: red on aqua green.




Wednesday, January 26, 2011

highly prized | my journal quilt

Hello everybody, Marlis here. I introduced myself ages ago but haven’t posted since. I’m glad Frauke and Kit came up with the Challenge idea. I am participating in the Sketchbook Challenge and, being a quiltmaker, I’m more than happy to join this Journal Quilt Challenge. I quite like the idea of working with the same theme in two different mediums (paper and cloth). My goal is to make one Journal Quilt a month in the size of 8”x8”.



When the theme “Highly Prized” was announced, I did a quick brainstorming. What do I prize highly? My husband, my cats, the view out of my living room window, Sushi, a glass of Prosecco, my daily walk, my friends ... and a lot more. I can’t draw (or that’s what I thought before I joined the Sketchbook Challenge…), so I picked the most difficult topic <g>: my cats, or more specifically Flori Cat. For the Journal Quilt I used a digitally processed version of the same photograph I had used as reference when I made the pencil sketch and printed it on fabric. I made my own stamps for the paws (from erasers). The piece is freehand quilted following the irregular lines of the background fabric. Very simple - but that's the way I like to work (my motto is "less is more").

Btw: this is my sketchbook page:



Monday, November 1, 2010

Hi from Switzerland!

My name is Marlis and I live in the Italian part of Switzerland with a very supportive husband and two cats. I'm an art quilter (www.marlisegger.ch), blogger (TEXTILEARTAND... www.marlisegger.blogspot.com) and course organizer (www.texartacademy.ch). During the last couple of months I have mostly been wearing my organizers hat, so I haven't been able to work in my studio very often.

As most of us, I have started with traditional patchwork. In the meantime, I have used many materials and techniques ... just to find out that the material I love most is fabric (cotton, silk, linen) and one of my favorite techniques is screenprinting (breakdown printing/DSP, flour paste resists), but also monoprinting. One of my first monoprints which I really like, is this one:


It is part of a series of 5 ... and yes: my motto is "less is more"...

I'm part of a challenge group. We are working in a specific size (16" x 20") and every two months one of the group members chooses the new theme. These are three of my quilts:

(walls: Marks)

(music: Vivaldi - The Four Seasons: Spring)

(time: When Time Goes By)


This September I had the chance to take a 4day class with Jane Dunnewold (The New Complex Cloth) and got absolutely hooked. I blogged about this experience here and here.

I'm looking forward to participating in this blog and to getting to know new artists around the globe. Thanks for inviting me!

Btw: you can find me also on Facebook, Twitter and Flickr...