In 2010 we had the privilege and pleasure of showing some glorious flower quilts, starting with a post called In Full Bloom. While many northern cities are now snowed in, these quilts remind us of spring. You can see each artist's distinctive style in the quilts with patterns (upper panel) as well as the original works of art (lower panel).
Row 1, L-R: Red Roses and Rose in a Vase, by Shelley J. Greener; Geraniums and Primitive Rose, by Edyta Sitar. Row 2: Sunflower and Summer Rose, by Melinda Bula; Passion Flower and Roses, by Cleo Mounday. Row 3. Garden Flowers and Trio of Tulips, by Laura Wasilowski; Virginia Bouquet, by Pearl Pereira; Autumn Mums, by Frieda Anderson. Row 4: Poppy and Georgetown Poppies, by Carol Morrissey; Ashley's Flower Basket, by Sue Nickels and Pat Holly. Row 5: Botanical Artisan Basketry, by Janice Vaine; Plumeria and Iris, by Brenda Yirsa; Flower Basket Medallion, by Kim McLean. For more information, see In Full Bloom and Basket Quilts Part 2.
Original Art Quilts
Row 1: Spring Greetings, by Frieda Anderson; Tipsy Tabletop and Pair of Paphiodilum, by Dianne Vottero Dockery. Row 2: Along Shaded Trails - Fuschias and Flowers Entwined - the Tulip and the Daisy, by Marilyn Stewart Stothers; and Peacock Flower, by Barbara Olson.
Image credits: Images are shown with the generous permission of the artists.
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Showing posts with label Dianne Vottero Dockery. Show all posts
Showing posts with label Dianne Vottero Dockery. Show all posts
Monday, December 27, 2010
Monday, April 5, 2010
A perception of depth: the art of Dianne Vottero Dockery
Today we're privileged to be able to share with you the work of an artist who truly inspires us. Dianne Vottero Dockery received the Master of Fine Arts degree in Visual Communication from Syracuse University, has owned and managed a graphic design firm, taught as a tenured university professor at Kutztown University, and now enjoys her life as a studio collage artist. Dianne's focus is on fiber (cloth and paper) collage. Her work has been displayed in exhibits, galleries and museums across the country, including the nationally renowned Amazing Art Quilts exhibit. We're so pleased to show you four of her amazing works of art, below.
Tipsy Tabletop, 47" x 35"
"Tipsy Tabletop", above, is a classic still life with the look of an oil painting, but is actually a work of fabric art. The tipsy tabletop provides a dynamic perspective which draws the viewer into the scene, bringing to mind the works of Cézanne and Matisse. The objects on the table - orange poppies in a cobalt blue vase, fruit, and a glass of wine - are arrayed against a blue (batik) tablecloth. We love the idea that the tablecloth, which would be made of fabric in real life, is rendered in fabric here. Dianne used commercial batiks and hand-dyed cotton sateen; the materials were free-cut, fused, hand-appliqued, machine quilted, and painted with oil sticks and colored pencils. Be sure to click on the image to see the detail.
Pair of Paphiodilum, 44" x 33"

The sense of depth is apparent in "Pair of Paphiodilum", above, with its exquisite hothouse blooms. The large orchid in the foreground, with its luminous green and violet hues and velvety texture, appears close enough to touch; the much smaller plant pot recedes by comparison. The deep blue colors and leafy textures of the batik background add to the mysterious feeling of the piece. "Pair of Paphiodilum" was created with commercial batiks and hand-dyed sateens, which were free-cut, hand-appliqued, machine quilted, and painted with acrylics.
Beyond I, 32" x 22"

What lies beyond? In "Beyond I", above, a sense of depth is created through the layering, shading, and shadowing of the textiles, which include commercial cottons, hand-dyed cotton sateens, and silk organza. The brilliant blue organza, which provides a focal point, contrasts sharply with the intense orange shades of the sateens. The sateen pieces are machine stitched to emphasize their shapes, and their jagged white edges are outlined with dark shadows to provide depth. This piece was not painted. The beauty of "Beyond I" lies in the artful and harmonious arrangement of the contrasting colors, values, shapes, and textures of the materials.
Barn Art I, 40" x 33"

In "Barn Art I", above, Dianne has captured perfectly the appearance of a barn, with its rough wood boards, which have weathered to a silvery gray color, and its dark interior. One bright red plank leans at an angle, reminding us of the original "barn red" color. The rough texture of wood was created by collaging narrow strips of fabric in different shades and textures, and by painting with oil sticks (please click on the image to see the intricate detail). In creating the collage, Dianne used commercial cottons and tulle; the fabrics were free-cut, fused, raw-edge appliqued, and machine-stitched.
Image Credits and Links
All images are courtesy of Dianne Vottero Dockery.
The pieces displayed here reflect Dianne's painterly style; examples of her more graphic style can be viewed on Dianne's website.
We previously wrote about one of Dianne's galleried mini collages, entitled "Pear of Hearts". To see that post, click here.
Tipsy Tabletop, 47" x 35"

"Tipsy Tabletop", above, is a classic still life with the look of an oil painting, but is actually a work of fabric art. The tipsy tabletop provides a dynamic perspective which draws the viewer into the scene, bringing to mind the works of Cézanne and Matisse. The objects on the table - orange poppies in a cobalt blue vase, fruit, and a glass of wine - are arrayed against a blue (batik) tablecloth. We love the idea that the tablecloth, which would be made of fabric in real life, is rendered in fabric here. Dianne used commercial batiks and hand-dyed cotton sateen; the materials were free-cut, fused, hand-appliqued, machine quilted, and painted with oil sticks and colored pencils. Be sure to click on the image to see the detail.
Pair of Paphiodilum, 44" x 33"

The sense of depth is apparent in "Pair of Paphiodilum", above, with its exquisite hothouse blooms. The large orchid in the foreground, with its luminous green and violet hues and velvety texture, appears close enough to touch; the much smaller plant pot recedes by comparison. The deep blue colors and leafy textures of the batik background add to the mysterious feeling of the piece. "Pair of Paphiodilum" was created with commercial batiks and hand-dyed sateens, which were free-cut, hand-appliqued, machine quilted, and painted with acrylics.
Beyond I, 32" x 22"

What lies beyond? In "Beyond I", above, a sense of depth is created through the layering, shading, and shadowing of the textiles, which include commercial cottons, hand-dyed cotton sateens, and silk organza. The brilliant blue organza, which provides a focal point, contrasts sharply with the intense orange shades of the sateens. The sateen pieces are machine stitched to emphasize their shapes, and their jagged white edges are outlined with dark shadows to provide depth. This piece was not painted. The beauty of "Beyond I" lies in the artful and harmonious arrangement of the contrasting colors, values, shapes, and textures of the materials.
Barn Art I, 40" x 33"

In "Barn Art I", above, Dianne has captured perfectly the appearance of a barn, with its rough wood boards, which have weathered to a silvery gray color, and its dark interior. One bright red plank leans at an angle, reminding us of the original "barn red" color. The rough texture of wood was created by collaging narrow strips of fabric in different shades and textures, and by painting with oil sticks (please click on the image to see the intricate detail). In creating the collage, Dianne used commercial cottons and tulle; the fabrics were free-cut, fused, raw-edge appliqued, and machine-stitched.
Image Credits and Links
All images are courtesy of Dianne Vottero Dockery.
The pieces displayed here reflect Dianne's painterly style; examples of her more graphic style can be viewed on Dianne's website.
We previously wrote about one of Dianne's galleried mini collages, entitled "Pear of Hearts". To see that post, click here.
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